Tokyo Literature and Art Times

Page 672

After that, their team of finding mothers grew stronger again.

At this time, the bad thing Kikujiro did was to send some people to make Masao laugh.

What about the little policewoman played by Shinobu?

It happened that the two characters formed a sharp contrast.

This policewoman is just, but along the way, she has done many unjust things with Kikujiro and Masao.

But her ultimate goal is still justice.

To help Zhengnan find his mother.

And Kikujiro was not a righteous person in the first place, but along the way, he never was just, and gradually became righteous.

He gradually began to do good things.

Of course, this guy will still have bad behaviors such as smashing the opponent's car rearview mirror.

but……

Nakadai Tatsuya confirmed.

This is not just the growth of Zhengnan, a child.

It is also the growth of all people.

It was the growth of the little policewoman.

It is Kikujiro's growth.

It is even the growth of those guys who make Zhengnan happy with everyone.

Even if it is the 'octopus' that jumps into the creek regardless of the summer.

Everyone is growing.

The whole film is very happy.

It's all so hassle free.

It is in sharp contrast with the previous "Huahuo".

Nakadai Tatsuya became happier the more he watched.

He was just a little helpless.

Because of this movie, he really shouldn't be cast in it.

You will destroy the atmosphere yourself.

Wait!

Nakadai Tatsuya seemed to have thought of something.

That's right, where is Mr. Kurosawa?

What did he think of the movie?

The movie "Summer of Kikujiro" is not over yet, but, for Mr. Kurosawa, he must be able to see what's coming, right?

In the darkness, Nakadai Tatsuya looked at Mr. Kurosawa who was not far away, and it turned out...

"Hahaha……"

This old man, this master of Japanese film, he just cares about laughing now.

Can't stop at all...

Chapter 531 A Little Boy's Real Growth

About the fact that Takeshi Iwata made a comedy movie.

Akira Kurosawa was actually very open.

Even, he is very, very looking forward to it.

However, this is after all Takeshi Iwata's first comedy film.

So, isn't it funny?

The previous "Huahuo" was still very funny, but this movie is not a comedy.

Therefore, from a funny point of view, this movie has to have higher requirements.

It has to be very funny.

result……

Kurosawa really kept laughing.

This "Summer of Kikujiro" is really funny.

It can be said that it is not only Takeshi Iwata, not only his betting on bicycles.

There are also free games that show their clumsiness.

And the others are also very shiny.

For example, Shinobu.

Her performance is very good.

Although, it always seems to be serious.

But it is her seriousness that makes her actions look very funny in these many absurd plots.

Yes, it's actually not absurd.

There's really nothing absurd about this movie, it's clearly a movie about growing up.

Therefore, a role like Shinobu is needed.

She is like an audience, an audience like herself.

Follow Kikujiro and Masao along the way and watch their growth.

And along the way...

It's so funny!

Kurosawa couldn't help being teased, he really couldn't stop.

You know, he's known the world over as a studio tyrant.

Moreover, he once committed suicide.

Such a movie that can make him laugh out loud has fully demonstrated the strength of being funny.

The point is, some plots are quite warm.

Kikujiro came all the way with Masao, and the team seemed to be getting bigger and bigger.

That middle-aged long-haired man riding a motorcycle... is really too funny.

Just the image is enough to make people spit.

Then there's the man who plays the octopus.

But besides these, there are other people.

Kikujiro, Masao, and the policewoman.

They also met a couple of young people.

They are lovers, but they don't seem like good people.

But, when they get along with Zhengnan for a long time.

The man started his own performance.

He is really good at being funny, by doing magic tricks and doing awkward dances, the little guy Masao can't stop laughing.

This young man is Masato Sakai. Although he didn't get the leading role, he made a guest appearance.

What Kurosawa saw was of course not Masato Saki, he saw what was behind this scene.

Japan is actually a very indifferent country.

In this country, everyone seems to be very lonely.

Of course, on the surface.

Many people are very polite in their daily life.

However, this kind of politeness, especially the very professional smile, not only did not bring the distance closer to each other, but made everyone feel farther and farther apart.

This is indeed the case, and Akira Kurosawa will not defend his motherland.

Because this is reality, and any normal person can feel it.

Laugh, in fact, should come from the heart.

If anything in this world is the ugliest.

That fake smile is definitely one of them.

In this film, Kurosawa sees something different.

It should be said that from a realistic point of view, Zhengnan is really a super lucky little guy.

Yes, there are so many people who took the initiative to help him.

Maybe it's because of the pitiful appearance of this little guy, which aroused the compassion of many people.

But, judging from his experience.

Many people have given Zhengnan help.

Perhaps, these help looks a little silly, a little stupid, or even not very useful at all.

But the smile on Zhengnan's face...is real.

That's ten thousand times better than those smirks!

Yes, Kurosawa saw the key to this movie.

In this movie, many people don't have that barrier, that sense of alienation, that sense of indifference.

Guys in this movie, no fake smiles.

Everyone is speaking from the heart.

Smile very well.

Moreover, the whole plot is also very funny.

It's all really great.

Akira Kurosawa watched, and naturally he couldn't stop laughing.

He loves this movie so much.

However, if the movie keeps laughing like this.

That didn't seem very good either.

The logic goes like this.

If a movie is just advancing at a rhythm, developing the plot.

Well, even if this movie controls this rhythm very well, it is difficult for this movie to become a masterpiece.

It's as if the core of comedy is tragedy.

There is nothing wrong with this sentence itself.

Not only movies, but many cultural works are like this.

It's like literature.

The text seems to see the mountains not happy.

The plot itself requires ups and downs and turbulent waves.

And the same goes for comedy.